Monday, April 17, 2017

WASHTUB SPRING by Alan Casline.


In his later years and right before the cross-country trip he made, “destination” changed meaning so no longer were the mileposts counted off but instead “circle” replaced all the steps one in front of another in the way he used to carry maps and had to constantly check his pockets for the tickets he knew somewhere ahead he would need, not fresh and unfolded but crumbled and stuck with pocket debris, new dirt and fuzz of old laundry why he might be johnny appleseeding it with collected and broken flowerheads as old as just after the last time his jacket had been washed and time on from that, which he casually let fly from the pocket, he hoped held his ticket these seeds which as he plucked from where they were held in his palm pausing with a pinch between thumb and index finger and then brushing his hands together cleaning off all that were left and then taking the same two fingers and displaying to his eyes the ticket he was once again worried about missing his connection and it became time to speak about the silence even though to speak of silence was to end the silence he felt that yes it was time here at the beginning of the old path to a named spring to cycle the voice of his own silence to nature breathing as warm animals hid and his words were gone though you could say hid also and perhaps because there was no destination even his inner voice was silent and language in words was gone but there was the weak feeling of absence remembering words and unable to find even one just a nothing mind gone animal carcass dancing till he was there at the spring but couldn’t form his being just the black dark of silence which stirred a longing, a need which retrieved him except then his eyes blinked out and he could barely feel the wind as he fell into the mystery of time uncharted and so his hands reached out and moved in time indeterminate no longer were the breaths counted out how long unknown even the memory of movement had no word and he drank water from his cupped hands at that he again touched the world as if it were real.

He woke to the path which answered his riddle, saw middle clouds and heard Cloudpeople thrill-ride their soapbox derby cars made of tiny suspended water droplets straight into the green hillface, which called wind to wipe them off the hill’s forest chin like Shepard’s pie for lunch or vanilla ice cream on a hot day. Sheets, wisps & patches, rolls, ripples, heaps and tuffs, towers. Loggerhead came back with a new protest sign and the same hairy feet. Lumbering up and down a little switchback excuse me slipping by his rumble tale. What is the difference between memories and ghosts?  Everyone I knew walking with me on the trail again when I’m alone and want them all to shut-up. In a deep hole in the ground there is still snow, a last place to melt.

guess you don’t think the
world will end
  when you die
the little world
the perfect world
   with your life in it

~

© Alan Casline 2017

~

Alan Casline is the editor of Rootdrinker,  a long standing magazine of watershed poetics, art and nonfiction. He lives with his wife, Jennifer Pearce, in a suburban neighborhood outside of Albany, New York. 

You may order his most recent book here: http://foothillspublishing.com/2015/id96.htm

Monday, April 10, 2017

"...from the end of the earth to the end of the sky.” by Philip Good.


"...from the end of the earth to the end of the sky.”(Color.)
© Mark W. O Brian  2017

A poet takes a photograph of a mountain and the mountain wonders why. “What is all the fuss about?” said the mountain. “You make me feel closer to speaking with the angels,” replied the poet. And somewhere near the top of that mountain a lady slipper grew where no one ever saw it. One cool evening before the stars came out, a deer found that orchid and had a lovely meal. As the ridge line was defined by the glowing sky, a red tail fox ate a little rabbit.

The mountain was very proud of itself for providing a space for all this activity. Even though, the mountain wished not to be praised, it laughed with glee when the poet felt inspired to write about it. And then one day a nasty little greedy mining man came along and wanted to stick explosives in the mountain’s head. Lucky for the mountain a big black bear pawed and bit that man to death.

If a mountain touches the sky
and no one is there to see it
does it smile or scowl?

~

© Philip Good 2017

"...from the end of the earth to the end of the sky.” (Albumen print.)
© Mark W. O Brian  2017

~
Philip Good is included in Infiltration, An Anthology of Innovative Poetry from the Hudson River Valley andHelix Syntax, the 41st Summer Writing Program Magazine, Jack Kerouac School of Disembodied Poetics, Naropa University. You can listen to Philip Good on POET RAY'D YO —   wavefarm.org/archive/pjgxpv 

Monday, April 3, 2017

“Last Train to Clarksville” by Dan Wilcox

"Just earlier that evening."
© MarkW. Ó Brien 2015

It was a text, “Take the last train to Clarksville & I’ll meet you at the station; be there by 4:30, I’ve made your reservation.”  

Which Clarksville?  There are 22 in the U.S.  No Clarksville train station here.

I didn’t recognize the number & tried calling it.  There was a lot of noise on the other end.  I think the woman said, “I’m leaving in the morning & I must see you again.  One more night together until my train in the morning, coffee-flavored kisses, & talk.”  Then she hung up.

Perhaps I was wrong.  I got in my car & drove up into the hills to the nearest Clarksville.  I was right, no train station.  No bus station.  Just narrow, deserted country roads leading to empty fields, crumbling stone fences, old houses.  No people, except in cars on the state road.  I realized that there’s nothing you can expect to happen in any town named Clarksville.

     There is no train to
Clarksville, last or otherwise —
      Fucking lost again.
~
© Dan Wilcox 2017
~
Dan Wilcox is the host of the Third Thursday Poetry Night at the Social Justice Center in Albany, N.Y.   
You can may read his Blog at dwlcx.blogspot.com and you can purchase his books @ apdbooks.

Monday, March 27, 2017

"In the Shadow of:" by Alifair Skebe

 "Onesquethaw you sing to me 
from the cold dark depths of your mountains shadow."

© Mark W. Ó Brien 2015


She sings. In the shadow of Onesquethaw Hill on a cold March morning. She sings. Through the dark shadow of a poplar tree. She sings. The somber notes of her mourning song. Shattered by the torrent, a ripple of a creek song. Under the water. Beside the bank. Inside the trees. She sings. 


Sunlight, a mother’s cheek,
soft downy rivulets, tears 
for her first born unborn

A woman there lives, and she lives in the water. On dark days, her face appears on the surface. We can hear her singing at night. In our beds. A slow song in another tongue. We go about our business. Her song is the land, the heart of the trees. She is a part of all of us, in the shadow of Cradleboard Hill. 


© Alifair Skebe 2017


"I hear  your voice calling to me from my back porch 

through the trees over the distance."

© Mark W. Ó Brien 2015


~

Alifair Skebe is author of the poetry collections Thin Matter, “El Agua Es La Sangre de la Tierra” (written in English), and Postcards: Les Lettres d’Amour.  She teaches poetry and writing at the University at Albany. 




Monday, March 20, 2017

"Untitled." by Adam Tedesco.



"Homing" © Mark W. Ó Brien 2015

I remember something lifted from me like meaning off the morning’s dream as we entered the texture of day’s tightening loom the rub of cold wool on glass or bare wet skin the rub of time against mind through eyes staring through the field until it sees nothing.  Nothing in the mountain begs a sadness freely given. Nothing in the mountain we need to see as not to feel the difference between its life and ours. Nothing in the mountain swallows whole the thoughts of those that walk upon it as we do unto each other through the field and still we call it king this one slow moment of being outside of what we are. This is what we could have been instead of blinking our eyes.

And the language birds murmur
spits the day's end back
into the form we’re chasing  

~

© Adam Tedesco 2017

Adam Tedesco is a founder of REALITY BEACH. His poems have appeared in FENCE, Gramma and elsewhere. His new chapbook is ABLAZA.

You may also view a book release trailer for ABLAZA  Here.

Monday, March 13, 2017

"Cross Border." by Dawn Marar


"The sound and slack of it passed through me like gratitude."
-Seamus Heaney / © Mark W. Ó Brien 2016



~

Yolk of sun breaks as an incendiary inaugurates clouds of deregulated soot. Yolk of light runs energy above base overshadowed land. Fog shrouds lies. Lines ride into a black gathering storm. A million pink hats bloom: our sea of amber waves. Beloved mountain knows no boundaries of nation race gender religion; only its own: nature’s notch on the horizon. Peaking Obamaian blues. Purple majesties. Beneath roiling yolk, power lines—short the Western staff—spark a new song.

sun yolk tossed above cast iron skillet
bursting flame on
people march march



© Dawn Marar 20/Mar/17



"Theseus had his thread, I have my mountain, and it reaches out to me."
© Mark W. Ó Brien 2016

~

Dawn Marar, a Hudson Valley Writers Guild board member was the recipient of the 2016 Steven A. DiBiase Poetry Prize.

Monday, March 6, 2017

Birches. by Dianne Sefcik


"Running The Ridge."
© Mark W. Ó Brien 2015

Birches

Cresting the ridge, a stand of birch wakes up memory of the teaching, “How to Choose a Place to Camp” , and other stories told in winter when snow is on the ground. For instance: How lightning avoids omaaî mitig, the birch tree, because spirit-boy blessed omaaî mitig forever, for shielding him as he fled the scorch of firebolts hurled by Thunderbird (and scarring omaaî mitig's white skin to this day). Thunderbird was righteously angry because spirit-boy stole fire for the people, or, some say, because spirit-boy clubbed the nestlings and stole feathers to make his bow strong so he could kill an evil fish.

or

How the Rough-Faced Girl, burned by her jealous sisters, dressed herself in birch bark to approach the invisible Holy One, and how she could see him, when others could not: saw his shoulder strap was a rainbow, his bowstring the Milky Way, and how, being tested, she became his beautiful wife.

The land has stories
Breathing through the winds of time 
Whispering Grandchild 




© Dianne Sefcik





"North Ridge Moss Covered Shadow Peoples." 
© Mark W. Ó Brien 2015